1x06 - Deepest Desires

[Prue Brianna Johnna Halliwell]

DESTINED LEGACY

SEASON 1, EPISODE 6

'DEEPEST DESIRES'

TEASER

OVER BLACK.

FADE IN:

INT. HALLIWELL MANOR - 1º FLOOR CORRIDOR - DAY

Persephone comes from her bedroom carrying a few dresses and walks into Prue's bedroom.

FADE TO:

INT. HALLIWELL MANOR - PRUE'S BEDROOM - DAY

Persephone comes in and puts the dresses on Prue's bed.

Prue comes from the walk-in closet with a short black dress. She looks at the dresses Persephone just put on the bed.

PRUE

Aren't you the sister who always has her mind made?

Persephone turns at Prue.

PERSEPHONE

Well, now I need your opinion.

PRUE

Yeah, ask Pamela. She's the one who gets about fashion.

Persephone stares at the dress Prue holds.

PERSEPHONE

Is that what you're wearing?

Prue looks at the dress.

PRUE

It's been years since I wore it.

PERSEPHONE

I thought you had thrown it out.

Prue walks over to the standing mirror.

PRUE

I couldn't.

PERSEPHONE

Why?

Prue puts the dress in front of her and stares at her reflection on the mirror.

PRUE

I just couldn't. It brings me memories.

PERSEPHONE

(curious)

Of what?

Prue stares at the mirror. Persephone looks at her curious.

OFF TO PRISCILLA - She comes in wearing a black skirt with a yellow blouse.

PRISCILLA

What about this?

Prue and Persephone stare at Priscilla.

PERSEPHONE

I like it.

PRUE

Uh-huh.

PRISCILLA

Settled then.

Priscilla walks out of the bedroom. Persephone turns to Prue.

PERSEPHONE

Were you saying?

Prue looks at Persephone.

PRUE

What?

PERSEPHONE

The memories? That dress?

Prue looks at the dress.

PRUE

Forget about it. I think I won't wear it tonight.

PERSEPHONE

You were wearing it, weren't you?

Prue puts the dress on the bed and starts picking a dress from Persephone's pile of dresses.

PERSEPHONE (CONT'D)

On that night?

PRUE

(picking a dress)

I think you should wear this one.

PERSEPHONE

Don't change the subject.

Prue doesn't look at Persephone.

PERSEPHONE (CONT'D)

That was the dress you wore the night Grams died. The night you met Leo.

Prue looks at her sister.

PRUE

I said I would not talk about it.

PERSEPHONE

Why?

PRUE

Because it's past.

Prue hands Persephone the dress she picked.

PRUE (CONT'D)

Green. This color enhances your eyes' color.

Persephone takes the dress.

PERSEPHONE

I would tell you who's my favorite if you ask me.

Prue stares at her sister.

PRUE

Good. I won't. Besides, I don't do relationships so, why are we having this talk?

PERSEPHONE

You don't do relationships, but you are with Lucas.

PRUE

I'm not. We just have fun together.

PERSEPHONE

Right.

Priscilla peeks inside. She seems to be wearing other clothes.

PRISCILLA

Going to the manor next door. Miranda doesn't know what to wear.

Prue and Persephone glance at Priscilla.

PRISCILLA (CONT'D)

I will tell you who's my favorite even if you don't ask.

(smiles)

Keep Lucas. See ya!

Priscilla leaves. Persephone turns to Prue.

PERSEPHONE

Well, Miss 'I don't do relationships,' be ready at 8.

Persephone takes the green dress and so the other dresses and walks out of the bedroom. Prue takes the black dress and stares at it.

PRUE

You probably won't fit me for sure.

She takes the dress and walks over to the walk-in closet.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - DAY

Several servers are there. A few come from the back door bringing trays of food.

Pamela is in there wearing a tracksuit. Her hair is tied into an elegant ponytail and her makeup is made. She talks to the HEADWAITER (30s).

PAMELA

Guests will arrive at 8 p.m. Drinks can be served immediately. The appetizer should be served around 8:30 p.m.

HEADWAITER

It will be done as you wish, Miss Whitmore.

PAMELA

Thank you so much.

Pamela turns around and leaves the kitchen. The headwaiter turns to the servers.

HEADWAITER

C'mon, people. Let's get this party rolling. You?

The headwaiter approaches one of the servers who brings a wooden box.

HEADWAITER (CONT'D)

Are those the ingredients for the fruit punch?

The server, a young man in his twenties (KOGAN), turns to him and nods.

HEADWAITER (CONT'D)

Good. Get on with the fruit punch then.

The headwaiter walks away. Then Kogan turns to the wooden box and smirks at it.

ON KOGAN'S FACE - His eyes turn totally black for a few moments, then they change back to normal.

FADE TO BLACK.

END OF TEASER

[Prue Brianna Johnna Halliwell]

Cast

Starring

Shelley Hennig as Prue A. Halliwell

Richard Madden as Leo Matthews

Phoebe Tonkin as Persephone Halliwell

Maia Mitchell as Priscilla Halliwell

Keegan Allen as Gabriel Halliwell

Grant Gustin as William Palmer

Katherine McNamara as Miranda Morgan

Holland Roden as Pamela Whitmore

Regé-Jean Page as Aiden Sullivan

Recurring

Theo James as Lucas Lacey

Kellan Lutz as Trace Thornton / Jitur

Lyndsy Fonseca as Natalie West

Aimee Teegarden as Adrianne Kelly

Special Guests

Laura Vandervoort as Jo Halliwell

Matt Lanter as Matt Halliwell

Guest Starring

Philip Prajoux as Kogan

Natalie Dormer as Witch Huntress

Elizabeth Mitchell as Amelia Palmer

Simon Baker as Damien and Derek Morgan

Faye Dunaway as Jo Halliwell (Elderly)

Louis Hunter as Tyler

Jack DePew as Jonas

Suzanne Cryer as Talia Stone

Ru Kumagai as Disguised Adrianne

David Santana as Headwaiter

Unknown actors and actresses as Children

Unknown actors and actresses as Guests

Unknown actresses as Half-naked women

Created by

Constance M. Burge and Brad Kern

Written by

Sol

Edited by

Sol

Wikia: Deepest Desires

[Prue Brianna Johnna Halliwell]

ACT ONE

OVER CREDITS.

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - DAY TURNING INTO NIGHT

AERIAL VIEW all over the city at the sound of 'Tainted Love' by Soft Cell.

Several places all around the city are being shown as the music plays.

FADE TO:

EXT. HALLIWELL MANOR & MATTHEWS / MITCHELL MANOR & HALLIWELL / COOP MANOR - NIGHT

MUSIC FADES OUT.

INSTRUMENTAL MUSIC STARTS PLAYING.

Prue, Persephone, and Priscilla come walking down the front stairs of the Halliwell manor. Prue wears the short black dress. Persephone wears the green dress and Priscilla is wearing the yellow blouse with the black skirt.

The three of them stare at the Matthews / Mitchell manor.

ON MATTHEWS / MITCHELL MANOR - People heading in. The lights are all on.

PRISCILLA

What kind of music is that?

OFF TO WILLIAM AND MIRANDA - They come from Halliwell / Coop manor.

MIRANDA

Don't worry, Gabs is on his way to change that. He found an old ---

(to William)

--- What was the name he called it? DB?

WILLIAM

(rolls his eyes)

CD.

MIRANDA

Right. He found an old CD when the works were taking place and try to put it into a more actual device to play the music.

PERSEPHONE

What kind of music?

Suddenly, a song starts playing. 'The Rhythm of the Night' by Corona.

They all glance at each other.

WILLIAM

From the 90s. But not the 90s we know. The 90s from last century.

PRUE

(sarcastic)

Oh, great!

MIRANDA

It's cool. To honor our great-great-grandparents.

PERSEPHONE

Let's get on with it.

They all walk over to the Matthews / Mitchell manor.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

The living room has a new decor. It is modern and lighter than before.

There are several guests there. Gabriel is by the sound equipment. Pamela and Aiden are next to him.

PAMELA

Are you sure this is a good idea?

Pamela stares at the people in the living room.

PAMELA (CONT'D)

They don't seem to be enjoining it, Gabs. I'm known to throw great parties.

GABRIEL

Relax, Pam. They need to get used to it. There's good stuff here.

AIDEN

Yeah from last century.

GABRIEL

(to Pamela)

Didn't you want to honor your ancestors?

PAMELA

I do. But I don't want people to get bored.

GABRIEL

They won't.

ON SOUND EQUIPMENT - Gabriel presses play.

IN THE BACKGROUND A MUSIC STARTS PLAYING - 'Be My Lover' by La Bouche.

People in the living room find the music weird, but their mood changes immediately.

Pamela smiles.

PAMELA

This might work out.

Gabriel and Aiden smile.

GABRIEL

Yeah, it might.

Gabriel and Aiden glance at each other. Pamela smiles big.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - FOYER / ENTRANCE - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Leonardo is by the staircase greeting a few guests. He smiles as he talks to them.

OFF TO THE ENTRANCE - Prue, Persephone, Priscilla, Miranda, and William come in. They glance around.

PERSEPHONE

Leo's there.

Persephone, Priscilla, Miranda, and William head immediately towards Leo. Prue follows.

The guests Leo is talking to walks into the living room. Leo turns at them.

PERSEPHONE (CONT'D)

This place is full of people.

LEO

And thank God you're here now.

(smiles)

Please. Enjoy.

PRISCILLA

We will.

Persephone, Priscilla, Miranda, and William walk into the living room. Prue approaches Leo.

PRUE

Hi.

LEO

Hi.

They stare at each other. Then they smile shy. Then Prue looks away. She stares at the house rooms.

PRUE

Wow. This house is full of people.

LEO

Yeah.

(looks at the rooms)

C'mon.

Both of them head inside the Sun Room.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROON / ENTRANCE - NIGHT

The room is full of people. This room also has modern decor.

In the back of the room, there is a large table with appetizers and a fountain of fruit punch.

Leo and Prue come in. Prue glances around.

PRUE

It seems so different.

LEO

Yeah, well, Miss Whitmore wanted to have it modernized.

PRUE

Let's be honest, the house needed it. Fifty years without a living soul to give it a human touch.

LEO

Agreed.

PRUE

And the music is ---

LEO

Last century?

Prue looks at Leo. Both laugh.

LEO (CONT'D)

Where's your Whitelighter?

And Prue smile fades off.

PRUE

Our Whitelighter, Leo.

LEO

Okay. Isn't he coming?

PRUE

No. He had some important things to do.

LEO

What things?

Prue shoots him a look.

PRUE

I didn't ask. Asking is a thing for couples and we are not a couple.

LEO

Yeah, but it's of public knowledge that the two of you are together.

Prue looks away.

PRUE

I don't do ---

LEO

(cuts her off)

I know.

They look at each other.

PRUE

What about you? Any friends here?

LEO

No. Harry was supposed to come but he has an important case.

PRUE

And your friend?

Leo and Prue stare at each other.

LEO

Natalie?

PRUE

That one.

LEO

She must be arriving soon.

Prue tries to disguise her disdain.

LEO (CONT'D)

Save me a dance, would you?

Prue looks at Leo.

PRUE

I'll think about it.

OFF TO THE ENTRANCE - Natalie walks in. She spots Leo in the sun room straight away. She walks towards Leo and Prue.

NATALIE

(smiles)

Leo?

Leo and Prue turn to Natalie.

LEO

Natalie. Good, you came.

NATALIE

I couldn't miss a chance for us to meet again.

Leo smiles. Prue rolls her eyes. Natalie looks at Prue.

NATALIE (CONT'D)

Hello, Prue.

PRUE

Hello, Detective West.

NATALIE

Oh, Natalie, please.

PRUE

Detective West.

Leo stares from one to another.

PRUE (CONT'D)

(to Natalie)

I owe you an apology for our last encounter.

Natalie glances at Leo and then glances back at Prue.

PRUE (CONT'D)

I was a little bit upset and well, I took it out on the first person I met.

NATALIE

It's okay.

Both stare at each other. Then Prue glances at Leo.

PRUE

I'm gonna ---

Prue makes a movement with her hand indicating that she'll be wandering around.

LEO

Sure. Have fun.

Prue smiles at him and walks away. Leo turns to Natalie. She smiles at him.

NATALIE

So, what is it between the two of you?

LEO

Prue and I?

Natalie smiles.

MUSIC IN THE B.G. CHANGES - 'If You Had My Love' by Jennifer Lopez.

NATALIE

She seems to be around you all the time. Is she an ex?

Leo doesn't know what to say at first.

LEO

No, she's a ---

Prue glances at Prue who walks over to William across the room.

LEO (CONT'D)

--- distant relative.

NATALIE

(curious)

How distant?

Leo looks at Natalie.

LEO

Like nine generations distant.

NATALIE

(surprised)

Wow. You keep track!

LEO

Well, my family has a thing for family trees.

NATALIE

How is it that you are in touch?

LEO

Well, because my great-great-grandfather was adopted by her great-great-grandaunt. And well, her grandmother wanted to keep track of everybody.

NATALIE

Ooh.

LEO

It's a long story.

NATALIE

Maybe you can tell me about it sometime.

LEO

Maybe.

Both smile at each other.

OFF TO KOGAN - He walks into the room and pours more punch into the fountain.

OFF TO PAMELA AND PERSEPHONE - They walk into the room.

Pamela seems to be nervous.

PERSEPHONE

Calm down, everything is perfect.

They stop and glance around. Pamela sees Leo talking to Natalie.

PAMELA

Crap!

PERSEPHONE

What?

Persephone follows Pamela's look.

PERSEPHONE (CONT'D)

Oh, she came.

PAMELA

I told him to invite his friends, not her.

PERSEPHONE

Have you thought she's his friend?

PAMELA

She wants more than that.

PERSEPHONE

How can you tell?

PAMELA

Look at her.

CAMERA FOCUSES ON - Natalie. She smiles big.

PAMELA (CONT'D)

She wants him.

Persephone glances around.

PERSEPHONE

And you are not the only one who has noticed it.

Pamela glances at Persephone who signs her to look at Prue.

ON PRUE - She's next to William. Both talk, but Prue's glance is focused on Leo and Natalie.

Pamela and Persephone glance at each other.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

MUSIC FADES OUT.

STILL VIEW at the Golden Gate Bridge.

FADE TO:

INT. TRACE THORNTON'S APARTMENT - BEDROOM - NIGHT

Trace comes in and takes his jacket off. Adrianne BLACK ORBS in. Trace stares at her.

TRACE

Well, well, well.

Adrianne wears a skirt suit.

ADRIANNE

I got the job.

Trace smirks.

TRACE

How did you do it?

ADRIANNE

Mortals. They are so easy to trick. I didn't even have to use magic. Just my legs.

Trace's eyebrows rise as she says that.

ADRIANNE (CONT'D)

Not like that, of course.

TRACE

Good. I don't want to share.

ADRIANNE

Me neither, Trace. Once you mention it, ---

She approaches him and takes his tie off.

ADRIANNE (CONT'D)

Who's Elizabeth?

Trace stares seriously at her.

TRACE

What?

ADRIANNE

You mentioned her name. Back then when you were hurt by the Warrens. You were delirious and you mentioned that name.

Trace gives his back on her.

TRACE

(disguises)

I don't know what you're talking about.

ADRIANNE

I might be many things, but stupid is not one of them. Who's Elizabeth, Trace?

Trace turns to her.

TRACE

It doesn't matter.

ADRIANNE

It matters if you say her name while delirious.

TRACE

(mad)

Drop it, Adrianne. I have better things to think right now instead of listening to you asking me about something I said when I wasn't myself.

ADRIANNE

Trace, I just ---

TRACE

Drop it.

Adrianne rolls her eyes.

TRACE (CONT'D)

Want to help?

Adrianne shoots him a look.

TRACE

There's a party at one of the manors. I have a demon there and I need you to watch how things roll there.

ADRIANNE

What demon?

TRACE

No idea. After last time with Rage, I realized those demons were coming from another place.

Adrianne seems confused.

TRACE (CONT'D)

I don't know how to explain. I just had demons wandering around and found this one. He's gonna attack the Warrens.

ADRIANNE

How?

TRACE

Destroying them with their own desires.

Trace and Adrianne stare at each other. Trace smirks.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT

MUSIC PLAYS IN THE B.G. - 'Ironic' by Alanis Morissette.

Prue is by the large table. She's pouring some fruit punch into her glass. Then she has a sip of it.

Gabriel walks over to her.

GABRIEL

Trying to get drunk?

Prue stares at him.

PRUE

You know I don't get drunk. It's my third glass and I can't feel the effects of it.

GABRIEL

Yeah. Try vodka.

Prue shoots him a look.

PRUE

I don't like vodka.

Prue has another sip of her drink.

GABRIEL

C'mon, cous, what's going on with you?

Prue shoots him a look. Then she glances around and her eyes focus on Leo and Natalie who are talking excitedly to each other across the room. Gabriel follows her glance. Then he looks at her.

GABRIEL (CONT'D)

Want to share what's on your mind?

Prue looks at Gabriel.

GABRIEL (CONT'D)

Or heart?

PRUE

There's nothing to share, Gabs. And please, all of you, stop it.

Prue walks away as Gabriel watches as she walks out of the Sun Room.

Aiden approaches Gabriel.

AIDEN

Did you invite that girlfriend of yours?

Gabriel stares at Aiden seriously.

AIDEN (CONT'D)

I'm just asking.

Gabriel sighs.

GABRIEL

She was supposed to come but canceled on me five minutes ago. Family issues.

AIDEN

We have family issues, Gabs. Try to find someone who doesn't.

GABRIEL

How will I do that?

AIDEN

I don't know. Do the same I do. Don't get too attached.

Gabriel laughs.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Priscilla and Miranda are at a corner staring at two guys near them.

PRISCILLA

They must be models.

MIRANDA

I bet they are.

The two guys glance at them and smile.

MIRANDA (CONT'D)

I might get lucky tonight.

Priscilla laughs. The two guys walk over to them. TYLER (20's) and JONAS (20's) smile at them.

TYLER

Hey, girls.

JONAS

Are you friends of the owner?

MIRANDA

We are relatives.

JONAS

Really?

Priscilla and Miranda nod.

TYLER

This is Jonas and I'm Tyler.

MIRANDA

Are you in the modeling industry?

Tyler and Jonas nod.

JONAS

It's a tough world. We barely get to see beautiful things outside the runways.

They are flighting.

TYLER

So glad we could come tonight and met you, girls.

Miranda and Priscilla glance at each other.

PRISCILLA

(to Miranda)

We might get lucky.

Both girls smile and flirt with the two guys.

OFF TO WILLIAM AND PERSEPHONE - They come in.

PERSEPHONE

C'mon, Will.

MUSIC CHANGES AND IT STARTS PLAYING - 'Smooth' by Santana ft. Rob Thomas.

WILLIAM

I said I will not do that.

PERSEPHONE

Well, you should.

William turns to Persephone.

PERSEPHONE (CONT'D)

You at least could try.

William shoots her a look.

WILLIAM

Persie, I'm not gonna try to use my ---

(lowers his voice)

--- power to spy on Leo and his friend.

PERSEPHONE

Pamela and I just want to know what is that they are talking about.

WILLIAM

Yeah, what about not mess with Prue and Leo's life?

PERSEPHONE

Have you looked at Prue?

WILLIAM

Yeah, she seems the same. Careless. Besides, I can't astral project myself in an invisible mood.

PERSEPHONE

I know you've been practicing.

WILLIAM

Yeah, because someone mentioned in our group at Winzy that I could be able to do that with practice, but haven't been able to.

Persephone grimaces.

OFF TO PAMELA - She comes in and seems worried.

Pamela walks over to Persephone and William.

PAMELA

Guys, we have a problem.

Persephone and William look at Pamela.

WILLIAM

What is it?

PAMELA

It's the central heating. I think there's something wrong with it. The kitchen seems like an oven and soon people will notice it in the rest of the house.

PERSEPHONE

It'll get too cold?

PAMELA

It'll get too hot.

WILLIAM

Let's go get Gabriel. We've dealt with that before.

The three of them walk out of the room.

FADE TO BLACK.

END OF ACT ONE

[Prue Brianna Johnna Halliwell]

ACT TWO

OVER BLACK.

FADE IN:

EXT. SAN FRANCISCO - STREET - NIGHT

A woman, TALIA STONE (49), walks down the street. She has her headphones on.

Behind her, someone follows. The person's face can't be seen, because it's too dark.

Talia stops and glances around as if she felt something. She turns around and as she does, she's hit by something on her head.

Talia falls down on the ground unconscious. Her forehead bleeds.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - NIGHT

STILL.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

MUSIC PLAYS IN THE B.G. - 'Frozen' by Madonna.

The room is hotter. People are drinking nonstop since the place seems like an oven. Some of them are sweating. People are uncomfortable with the heat.

Leo and Natalie are at a corner. She uses her right hand as a hand fan while holds a glass with the other. Leo glances around.

NATALIE

It got hot in here suddenly.

LEO

Yeah. There must be something wrong with the heater.

Leo looks at her.

LEO (CONT'D)

Would you mind if I leave you for a moment to check what's going on?

NATALIE

Go ahead.

Leo nods and walks out of the room.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - BASEMENT - NIGHT

ON CENTRAL HEATING MACHINE - It's making a loud sound.

Gabriel and William are trying to fix it. They use some tools.

GABRIEL

This happened before with the one we had at home.

Pamela and Persephone are near them.

PAMELA

Maybe is just better to turn it off.

WILLIAM

The thing is it doesn't turn off.

OFF TO THE STAIRCASE - Miranda and Priscilla walk downstairs.

PRISCILLA

You, guys, what's going on?

MIRANDA

It's an oven up there.

PRISCILLA

And we are running out of drinks.

Pamela turns to them. She's shocked.

PAMELA

What? We can't run out of drinks.

MIRANDA

Well, we are.

Pamela turns to Persephone.

PAMELA

What do I do?

PERSEPHONE

Don't worry. I have some oranges for the restaurant and some bottles of sparkling wine. I'll get them.

PAMELA

People don't want oranges.

PERSEPHONE

Yes, but they might want punch.

Persephone is about to walk out when Leo comes in.

LEO

What's going on?

PERSEPHONE

Central heating. It's broken. Come, I need strong hands to help me carry some boxes.

Leo nods. Persephone drags Leo out of there. Miranda and Priscilla leave as well.

PAMELA

I just want my party to be a success.

WILLIAM

Don't worry. It'll be.

ON PAMELA'S FACE - She is not convinced of that.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT

MUSIC KEEPS PLAYING IN THE B.G.

Prue and Aiden are by the large table. Aiden pours some punch into two glasses. He hands one to Prue.

AIDEN

Here you have. The last two.

PRUE

Why is it so hot in here?

AIDEN

The central heating is broken.

PRUE

(sarcastic)

That's great.

Natalie walks over to them.

NATALIE

It's so hot in here.

Prue and Aiden glance at her.

NATALIE (CONT'D)

Is there more punch?

Aiden nods.

AIDEN

There will be soon. They are trying to find a solution.

NATALIE

Ah, great.

Prue has a sip of her drink as Natalie turns around and walks away. Aiden stares at Natalie.

AIDEN

She's kinda hot.

Prue shoots him a look. He looks at her.

AIDEN (CONT'D)

I'm just saying that Leo has good taste.

Prue rolls her eyes. Then suddenly ---

Prue feels dizzy. She grabs Aiden's arm. He notices there's something wrong with her.

AIDEN (CONT'D)

Are you okay?

PRUE

I just felt dizzy.

Aiden helps her.

AIDEN

Okay, time for you to stop drinking.

PRUE

I've been drinking punch. And I don't get drunk that easily, remember.

AIDEN

I know, but maybe it is time for you to stop.

Prue shoots him a look.

PRUE

I should go to the toilet.

AIDEN

Use the one upstairs. The one down here has a long line of people waiting.

Prue nods. She walks out of the room.

OFF TO KOGAN - He and some servers come in. They bring jars to fill the punch fountain.

Aiden looks at them.

AIDEN

It was about time.

ON KOGAN'S FACE - He smirks as he pours punch into the fountain.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - BASEMENT - NIGHT (MOMENTS LATER)

ON THE CENTRAL HEATING MACHINE - It seems to be working normally.

William and Gabriel stare at it. They smile.

GABRIEL

It's working now.

Pamela approaches them.

PAMELA

(relieved)

Thank you.

WILLIAM

Let's go back to the party.

The three of them walk out of there.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT

Leo comes in. He walks towards Aiden, Priscilla, and Miranda.

LEO

Things are solved.

PRISCILLA

We've noticed it. It feels better now.

Leo glances around. Aiden looks at him.

AIDEN

She's has gone upstairs.

Leo looks at him.

AIDEN (CONT'D)

Prue. She needed to use the bathroom.

Leo smiles at him. Natalie approaches them.

MUSIC STARTS PLAYING - 'I Have Nothing' by Whitney Houston.

NATALIE

It seems like the heating is functioning fine now.

Leo looks at her.

LEO

Yeah.

NATALIE

Let's go dance now?

Leo nods. Aiden, Priscilla, and Miranda stare at them.

PRISCILLA

I guess he's going to get lucky too.

Aiden and Miranda look at her.

MIRANDA

Why don't we go find the guys we met?

Priscilla nods. Then Priscilla and Miranda take a glass from the table and walk away. Aiden shrugs.

AIDEN

(to himself)

Yeah, maybe I need to find a top model too.

He sips his drink.

OFF TO LEO AND NATALIE - Natalie puts her arms around Leo's neck. He puts his hands on her hips.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

THE MUSIC CAN BE HEARD IN THE B.G.

The room's decor is also modern now.

Prue comes from the bathroom and glances around. She sighs.

PRUE

They changed the bed too.

She walks over to the bed and sits on the edge of the bed. Then she lets herself fall back. She lays down.

PRUE (CONT'D)

Just a little bit.

Prue closes her eyes.

FADE TO:

EXT. SAN FRANCISCO - WOODS - NIGHT

MUSIC FADES OUT.

ON BRANCHES - They are placed around a stake.

ON TIED HANDS - They are tied tightly.

ON TALIA'S FACE - The woman is unconscious.

Someone walks around the stake always staring at her. The person uses a hoody and holds a torch.

ON TALIA'S FACE - She starts waking up. It takes her a little bit to realize what's going on around her. When she does, her eyes widen with terror.

TALIA

What's going on?

She looks at the person before her.

TALIA (CONT'D)

Who are you? Why are you doing this?

The person doesn't answer.

Talia looks at the torch. She starts trembling with fear.

TALIA (CONT'D)

Please, let me go. Please.

The person lowers down the torch and lights up the branches.

ON TALIA'S FACE - They reflect the fire.

TALIA (CONT'D)

Please. You don't need to do this. Please.

The woman screams out loud as the flames approach her body quickly.

TALIA (CONT'D)

NO!!!

The person stands before Talia watching her burn.

ON THE PERSON'S MOUTH - It belongs to a woman for sure. She smirks.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT

MUSIC PLAYING IN THE B.G. - 'The Sign' by Ace of Base.

People are dancing. Leo and Natalie are dancing together and so are Priscilla and Jonas and Miranda and Tyler. They seem to be enjoying it.

Pamela, Aiden, and Gabriel are there too. They enjoy the music.

AIDEN

This was indeed a great idea, Gabs.

GABRIEL

Of course, it was.

PAMELA

Well, thankfully that you guys fixed the central heating issue.

Gabriel smiles. Persephone and William approach them.

PERSEPHONE

Everything is fine now.

(to Pamela)

You can now enjoy the party.

PAMELA

Great.

(to Persephone)

Hey, didn't you invite the guy from the restaurant?

PERSEPHONE

He hasn't shown up again and I don't have his number.

WILLIAM

What guy?

PAMELA

Our dear Persie has a crush on a customer.

PERSEPHONE

It's not a crush. I barely know him.

Pamela smiles.

PAMELA

But you wish.

Persephone grimaces. They all stare at the people dancing.

PAMELA (CONT'D)

They seem to be enjoying themselves.

AIDEN

Girls, please, drop it.

PAMELA

I'm talking about Pris and Miranda. I know them. I've been on the runway a few times with them.

AIDEN

Do you have any friends you wish to introduce me to?

PAMELA

(shoots Aiden a look)

Wish? No, I don't wish to introduce you to anybody. But I can introduce you to a friend of mine.

AIDEN

Please.

Pamela takes Aiden's hand and drags him away towards a group of girls nearby. Gabriel, William, and Persephone smile.

SUDDENLY, a scream draws their attention. Everybody stops dancing as one of the female guests screams out loud. The other two women try to calm her down, unsuccessfully.

WOMAN

Please no. Don't do that to me, please.

The woman suddenly faints. She falls down on the floor unconscious.

Pamela and Aiden look at Persephone, Gabriel, and William. Leo, Priscilla, and Miranda look at the others as well.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT (MOMENTS LATER)

The music is not playing.

Everybody is there trying to talk in groups. Persephone, Leo, Priscilla, and Miranda are talking.

MIRANDA

Maybe too much alcohol?

Pamela and Persephone approach them.

PAMELA

She was taken to the hospital already.

PERSEPHONE

Her friend didn't want to call an ambulance cause it would destroy her career.

LEO

But what happened to her?

PAMELA

Oh, that one had issues with drugs. Maybe she's using it again.

LEO

Are you sure?

PAMELA

Leo, I know the piece.

Leo glances around. He sees Natalie across the room talking to Gabriel and William.

PAMELA

We shall continue the party.

(turns around)

Aiden?

Aiden is across the room talking to a group of women. He looks at Pamela.

PAMELA

Music.

Aiden smiles. He walks towards the sound equipment.

LEO

I'll join Natalie.

Leo walks away. Persephone rolls her eyes.

PERSEPHONE

Has anyone seen Prue?

Pamela, Priscilla, and Miranda shake their heads.

Leo walks towards Natalie and suddenly he stops. He glances around and there's no one there. Everybody who was in the room has suddenly disappeared.

MUSIC STARTS PLAYING - 'I Swear' by All 4 One.

Leo turns around and ---

BEAT. Prue, wearing the black dress, comes in. She looks at Leo and smiles. Something about her attitude is different.

LEO

Prue?

Prue walks towards him. She gets really close to him. Wraps her arms around Leo's neck and presses her body against his.

LEO (CONT'D)

What are you doing, Prue?

PRUE

I owe you a dance, remember?

She looks him deeply in the eyes.

PRUE (CONT'D)

I don't want to be away from you, Leo.

She whispers in his ears.

PRUE (CONT'D)

I need you.

Leo swallows. They look each other in the eyes. Their lips approach slowly until they kiss deeply and passionately.

Then, Prue pulls back from him.

PRUE (CONT'D)

I can't. We can't be together.

Leo seems confused.

PRUE (CONT'D)

Not now, not ever.

Then suddenly, Leo starts feeling like he's lacking air.

LEO

You can't do that to me. I need you.

PRUE

There cannot be a you and I. Not now, not ever.

Leo stares at her not understanding what's happening.

LEO

You are not real.

Prue gets serious.

LEO (CONT'D)

You've rejected me already. You are not real.

ON PRUE - She FADES AWAY.

Leo stares at it with his eyes wide open. Then the music can be heard.

MUSIC PLAYING IN THE B.G. - 'Rhythm is a Dancer' by Snap!.

Natalie stands before him.

NATALIE

Leo? Leo, are you alright?

Leo looks at her. He glances around. Everybody is in the room, some are dancing around Leo and Natalie. Leo looks at Natalie.

NATALIE (CONT'D)

Are you okay?

LEO

Yes. I just ---

He glances around again.

LEO (CONT'D)

I need to ---

(looks at her)

I'll be right back.

Natalie nods. Leo walks out of the room.

OFF TO KOGAN - He watches from a corner what happens in the room. Then, without anyone seeing it. He SMOKES out.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - PORCH - NIGHT

Adrianne walks up the front stairs but stops suddenly as Kogan SMOKES in front of her.

ADRIANNE

Who the hell are you?

KOGAN

I felt you approaching.

ADRIANNE

You are the demon.

KOGAN

Tell the demon Jitur that everything is going as planned. They will hallucinate about their biggest desire and when they can't accomplish them, they'll freak out.

ADRIANNE

I need to check it myself.

KOGAN

Do you wish to come in?

Adrianne nods.

KOGAN (CONT'D)

Make sure you don't drink the punch.

Adrianne forces a smile.

ADRIANNE

I don't like punch anyway.

Kogan steps aside. Adrianne walks towards the front door. Before entering, Adrianne uses GLAMOURING to change her appearance. She turns to Kogan and blinks. Then she walks in. Kogan smirks. He SMOKES out and then, the front door of the manor disappears.

ON THE MATTHEWS / MITCHELL MANOR - Every window disappears and it's replaced by bricks.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

ON PRUE'S EYES - They pop open.

She's laying on Leo's bed. Then she gets into a sitting position.

PRUE

My God, I took a nap. What was in that punch?!

LEO (O.S.)

You can stay there.

Prue glances around. There he is. Leo comes from the shadows. He stares at her as he approaches seductively.

PRUE

Leo?

(stands)

Uh, I'm sorry. I took a nap in your bed ---

Leo puts his hands on her hips.

PRUE (CONT'D)

(surprised)

What are you doing?

LEO

We belong together, Prue.

They stare into each other's eyes.

LEO (CONT'D)

You know we do. I know you can feel it.

PRUE

Leo, I ---

He starts kissing her neck. She lets her head fall back.

LEO

Let me show you how badly we need each other.

PRUE

Oh, Leo ---

He looks at her and then he approaches his lips to hers and kisses her passionately. Then ---

Leo pulls back. Prue stares at him.

PRUE (CONT'D)

Don't stop now.

He steps back.

PRUE (CONT'D)

(confused)

Leo?

LEO

You are right. We can't stay together. I should be with Natalie. She's better for me.

Prue can't understand.

PRUE

What are you saying?

Prue starts feeling a lack of air.

LEO

You are not good for me, Prue.

Prue starts feeling desperate.

PRUE

No, no, you can't do that to me. I need you.

LEO

I'm sorry. I don't need you.

PRUE

No, Leo, no.

Prue starts hyperventilating. She's desperate.

PRUE (CONT'D)

You can't do this to me.

LEO

Prue?

Prue closes her eyes.

ON PRUE'S FACE - She keeps her eyes closed.

LEO (CONT'D)

Prue?

PRUE

You can't do this to me, Leo.

Leo is sitting beside her. He grabs her by the arms and is kinda trying to get her out of whatever she's gone into.

PRUE (CONT'D)

You, can't. You just can't.

LEO

Prue, it's me, it's Leo. I'm here.

He's unable to get her to react. She seems like she can lose her senses at any moment. Then Leo doesn't think twice. He approaches her and kisses her. Prue calms down. Leo pulls apart. Prue opens her eyes. They look at each other.

PRUE

(confused)

What happened?

LEO

(sighs)

I think there's a demon in the house.

Prue and Leo stare worriedly at each other.

FADE TO BLACK.

END OF ACT TWO

[Prue Brianna Johnna Halliwell]

ACT THREE

OVER BLACK.

FADE IN:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

Miranda and Priscilla are talking to Jonas and Tyler. They laugh. Tyler whispers something to Miranda.

ON MIRANDA - She smiles big.

Then, SUDDENLY - The whole scenario disappears and it's replaced by ---

A PINATA hangs from the ceiling.

ON MIRANDA - She turns around and realizes she's holding a Pinata Stick.

MIRANDA

(confused)

What ---?

Miranda stares at the Pinata. A few kids are surrounding her.

KID #1

You can do it, Miranda.

KID #2

Break the Pinata.

Miranda smiles nervously. She walks towards the Pinata and hits it hard, but it doesn't break. Miranda keeps hitting it and the Pinata doesn't break. Until ---

KID #1

You can't do it.

Miranda glances around and sees as all the kids hold a Pinata Stick. They walk towards the Pinata as Miranda steps back.

MIRANDA

Wait, no. It was my turn.

The kids hit the Pinata hard and it breaks.

MIRANDA (CONT'D)

No, it was my turn. Wait!

Miranda starts feeling a lack of air. She gets desperate.

WILLIAM (O.S.)

Miranda.

MIRANDA

It was my turn.

WILLIAM (O.S.)

Miranda?

Miranda closes her eyes. She is really desperate.

Suddenly, the whole scenario Miranda saw disappears. People are in the room. They seem not to notice what's going on with Miranda. Only Priscilla, Jonas, and Tyler are there as well as William.

WILLIAM (CONT'D)

Miranda!

William holds Miranda's arms.

MIRANDA

It was my turn to break the Pinata.

WILLIAM

Miranda!

William shakes her hard.

WILLIAM (CONT'D)

You are too old for a Pinata.

ON MIRANDA'S FACE - She opens her eyes.

Miranda glances around. Then she looks at William.

MIRANDA

What the hell happened?

Miranda glances at William and Priscilla. They don't know what to say.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - 1º FLOOR CORRIDOR - NIGHT

Gabriel comes in and heads towards Leo's bedroom when someone stands behind him. Gabriel feels the person's presence. He turns around and ---

BEAT. MATT HALLIWELL, Chris Halliwell's son and Gabriel's grandparent, stands there. But he doesn't look like an old man, no, he looks in his twenties. He smiles at Gabriel.

MATT

Gabriel.

Gabriel's eyes get wet.

GABRIEL

Grandpa?

Matt smiles and approaches Gabriel.

MATT

My dear, boy!

He hugs Gabriel tightly. Gabriel is thrilled.

GABRIEL

Grandpa, is it really you?

Matt pulls apart.

MATT

Of course, it's me.

Gabriel smiles.

GABRIEL

Oh, Grandpa, I've missed you so much.

MATT

Me too, my boy. Me too.

A tear runs down Gabriel's face.

GABRIEL

I can't believe you are really here. How?

Matt pats Gabriel's shoulder.

MATT

I am here, my boy. I am so proud of you.

Gabriel smiles.

MATT (CONT'D)

You've become the man I always knew you were. We all are proud of you.

Gabriel smiles big and hugs his grandfather. Then, out of a sudden, Matt pulls back.

GABRIEL

Grandpa?

Matt is serious now.

MATT

A total disappointment, Gabriel. No wonder, you are alone.

GABRIEL

Grandpa? What ---?

Gabriel can't understand the sudden mood of Matt who steps back.

GABRIEL (CONT'D)

Grandpa, wait.

Matt turns around and leaves. Gabriel is desperate.

GABRIEL (CONT'D)

Grandpa, please, don't leave me.

He feels a lack of air. He takes his hands to his chest.

GABRIEL (CONT'D)

Grandpa, please, Grandpa. No.

Gabriel is really desperate.

PRUE (O.S.)

Gabriel?

Gabriel cries hard. He is shaking hard. He closes his eyes.

Suddenly, Prue is shaking him, but Gabriel keeps his eyes closed.

GABRIEL

Grandpa!

Leo is next to them. Prue shakes him.

PRUE

Gabs! Wake up!

Prue looks at Leo.

PRUE (CONT'D)

What do we do?

LEO

We need to take him out of the trance he's in.

PRUE

How?

GABRIEL

Grandpa, please, don't leave me alone.

PRUE

How did you take me out?

Leo and Prue stare at each other.

LEO

I kissed you.

Prue gets serious. She glances at Gabriel and then looks at Leo.

PRUE

I'm not gonna kiss him!

LEO

Of course, you are not. But when I kissed you, you came back.

GABRIEL

Don't leave me alone.

Gabriel gets on his knees. Prue lowers down and holds Gabriel by his shoulders.

PRUE

Gabs, you are not alone. Listen to me, it's Prue. You are not alone. There's a bunch of Warrens next to you, you understand? You are not alone.

Gabriel starts calming down. Leo and Prue glance at each other.

ON GABRIEL'S FACE - He opens his eyes. They are wet.

GABRIEL

Prue?

Prue smiles.

PRUE

Welcome back.

GABRIEL

What happened?

Leo and Prue help Gabriel to stand.

LEO

A demon. Or at least that's what looks like.

PRUE

We must find the others.

They all agree and walk out of there.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

No one is there, but Miranda is sitting on the couch. Priscilla hands her a glass of water. William and Aiden come in.

WILLIAM

Okay, everybody is in the other room.

PRISCILLA

(looks at them)

It's a demon for sure.

AIDEN

Yeah, no doubt about it.

OFF TO PERSEPHONE AND PAMELA - They come in.

PAMELA

Is it true? Is my party ruined because of a damn demon?

WILLIAM

Do you mind keeping it quiet? Someone can hear you.

PERSEPHONE

We should take everybody out and end the party before things get worse.

PAMELA

I'll invite everybody out.

(rolls her eyes)

One of Pamela Whitmore's parties is a failure.

She turns around and walks into the Sun Room. Persephone shrugs and walks after her.

Prue, Leo, and Gabriel come in.

LEO

We have a problem.

AIDEN

I'm gonna go for the Book of Shadows.

Aiden walks out of the living room.

PRUE

Do you guys know?

PRISCILLA

Miranda had some sort of hallucination.

MIRANDA

It seemed so real.

PRUE

Yeah. I know the feeling.

GABRIEL

We do.

WILLIAM

What happened?

GABRIEL

I saw Grandpa.

Everybody quirks their eyebrows.

GABRIEL (CONT'D)

It was like seeing my deepest desire and then losing it.

Gabriel turns to Prue.

GABRIEL (CONT'D)

(to Prue)

What was yours?

Prue swallows.

PRUE

It doesn't matter.

LEO

She was hyperventilating when I found her. Then I just ---

Prue and Leo look at each other.

LEO (CONT'D)

I just brought her back.

(pauses)

It happened to me too. I had a hallucination.

WILLIAM

How did you come back?

LEO

I have no idea. I saw ---

Leo cuts himself off.

PRISCILLA

You saw what?

Leo looks at Prue.

LEO

My deepest desire rejected me. I felt a lack of air and then thought that it wasn't real.

MIRANDA

How did you know it wasn't real?

LEO

Because the thing I desire the most has already rejected me in real life.

Leo glances at Prue and then at the others. Prue lowers her gaze.

Aiden comes in.

AIDEN

Guys, we have a problem.

They all look at Aiden.

AIDEN (CONT'D)

We are locked inside this manor.

SOUND - People screaming. The sound comes from the Sun Room.

Pamela and Persephone come in.

PERSEPHONE

Guys!

They all look at Persephone and Pamela.

PERSEPHONE (CONT'D)

Whatever is happening, it's affecting the guests.

They all exchange glances. All of them seem worried.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - FOYER - NIGHT

GLAMOURED Adrianne stands out of the living room. She has been listening to all that has been said inside.

Glamoured Adrianne smirks.

FADE TO:

EXT. SAN FRANCISCO - WOODS - NIGHT

The woman in the hoody stands before the stake where Talia Stone's burned body just is.

She stares at it as the flames go out.

The woman in the hoody takes her cell phone from her back pocket. She makes a call.

WOMAN IN THE HOODY

(on the phone)

It is done. --- She screamed out loud. They always do. Can I head to them now?

The woman in the hoody groans.

WOMAN IN THE HOODY (CONT'D)

(on the phone)

They are my price. I want to have them on my list. --- Why?

(sighs)

Fine. Text me the name of the next witch.

The woman in the hoody hangs off the phone.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - ATTIC - NIGHT

This attic is a little bit different from the one seen in the Halliwell Manor. It has less junk.

Prue, Leo, Persephone, Priscilla, Gabriel, William, Miranda, Pamela, and Aiden come in.

PAMELA

How it is possible that the first party I host in this house gets to be ruined by demons.

GABRIEL

Well, we don't know exactly if there are demons here.

PAMELA

Oh, no? Have a better guess?

Gabriel and Pamela glance at each other.

PAMELA (CONT'D)

If this comes out in social media ---

AIDEN

Control yourself, woman!

PAMELA

Don't ---

ON PAMELA'S FACE - She suddenly stops herself from saying what she was going to say ---

PAMELA'S POV - No one is there.

PAMELA (CONT'D)

Guys?

She looks down at the floor and it is full of magazines.

ON MAGAZINES - She's the cover of them all. some of the titles can be heard.

IT READS:

'Pamela Whitmore, lives up to her name'

'Pamela, the heiress of the Whitmore Family has become the IT socialite'

'What's the secrets for Pamela's success.?'

Pamela looks at the magazines and smiles as she sees them.

PAMELA (CONT'D)

This is great.

She lowers down and takes a magazine. She glances at it and then the cover changes.

ON MAGAZINE - It changes from a photo of a successful Pamela to a Pamela with tears in her eyes.

IT READS:

'The Fall of the Whitmore heiress'

Pamela gets serious. She drops the magazine which falls on the floor. The other magazines' covers have changed as well.

PAMELA (CONT'D)

No. It's not possible. I am a success. No.

Pamela starts freaking out. She has a lack of air and breathes hard. She holds her head as she stares at the magazines.

PAMELA (CONT'D)

No, no, no, no, no. This cannot be happening.

Pamela closes her eyes.

SUDDENLY everybody is there staring at Pamela.

WILLIAM

Pam?

PERSEPHONE

She's freaking out.

Aiden walks towards her.

AIDEN

Pamela, c'mon!

PAMELA

I can't. I can't. I can't be the failure of the family. I can't.

Aiden turns to the others and shrugs.

MIRANDA

You are not the failure, Pamela.

PAMELA

I can't.

Pamela seems to be losing control. Aiden holds her by her arms.

AIDEN

C'mon, woman, wake up.

She cries hard. Miranda walks towards Aiden and Pamela.

MIRANDA

(to Aiden)

Move aside.

Aiden moves aside. Miranda stands in front of Pamela and out of a sudden, Miranda slaps Pamela in the face. Everybody stares astonished at it. Pamela looks at Miranda.

PAMELA

What the hell was that for?

MIRANDA

It brought you back, didn't it?

Pamela glances at them all.

PAMELA

I lose it, didn't I?

Persephone and Priscilla nod.

LEO

We need to find a way to get out of here.

WILLIAM

How? All the windows and doors are closed.

They all glance around.

PRISCILLA

We could call Lucas.

GABRIEL

How could he come in?

Prue glances around. There is a fireplace in a corner. Prue walks towards it.

AIDEN

What if we try to find the demon?

PERSEPHONE

How is the demon making us have these hallucinations?

PAMELA

It was my deepest desire.

(to Gabriel)

It's like you said, the thing I want the most and then the failure.

SOUND - Screams from downstairs.

PERSEPHONE

I know we need to move fast. Once we can get out of here, we must try to find the demon.

GABRIEL

Yeah, we don't know what happens if we can't get out of our hallucinations.

WILLIAM

They aren't waking up for sure.

PRISCILLA

If we could only get Lucas here.

Prue turns at them. She's by the fireplace.

PRUE

We can.

They all stare at Prue.

PRUE (CONT'D)

No one lived here for half a century, but Grams always made sure the fireplaces were kept clean.

They don't understand.

PRUE (CONT'D)

(remembering her Grams words)

'In case we get locked, use the thing they never think of.'

(smiles)

She said.

PERSEPHONE

She used to say that.

PRISCILLA

So, does it mean that ---

PRUE

We can call Lucas.

Leo rolls his eyes.

LEO

(to Prue)

Let's get your Whitelighter here, then.

Prue looks at Leo.

PRUE

Our Whitelighter.

(sighs)

Lucas? Lucas, can you come, please?

OFF TO THE ENTRANCE - Natalie comes in.

NATALIE

Leo?

They all look at Natalie. Some ORBS start appearing in the middle of the attic. Leo realizes what's about to happen and he rushes towards Natalie. He grabs her and turns her around and not thinking twice he kisses her. Lucas ORBS in. Prue stares at Leo and Natalie. Gabriel grabs Lucas and drags him behind a bookcase. Prue keeps staring at Leo and Natalie. Leo opens his eyes as he keeps kissing the Detective. He looks at Prue who is clearly shaken. Leo closes his eyes.

ON PRUE'S EYES - They GLOW blue.

Then Leo stops kissing Natalie. She looks at him astonished at what he just did.

ON PRUE'S EYES - The GLOW fades. Prue closes her eyes and opens them again.

NATALIE

(breathless)

Wow.

Leo stares at her.

NATALIE (CONT'D)

That was ---

Natalie turns around and sees how everybody is staring at her and Leo. Then she turns to Leo.

NATALIE (CONT'D)

Couldn't you wait for a more private moment?

Leo forces a smile.

LEO

Yeah, I just ---

Leo looks at Prue. She looks away.

LEO (CONT'D)

I couldn't resist you.

Persephone motions Leo to get Natalie out of the attic.

LEO (CONT'D)

Come. I haven't given you the tour.

Natalie turns to the others. She can't hide the big smile on her face. Leo and Natalie leave the attic.

Once Leo and Natalie are out. Gabriel motion Lucas to come out from behind the bookcase. Lucas looks at Prue.

LUCAS

What's going on?

PERSEPHONE

It was too close.

Lucas looks at Prue. She turns to them.

LUCAS

(to Prue)

Are you okay?

Prue nods.

PRUE

We need you to get us the Book of Shadows. The manor is locked. There's a demon.

LUCAS

Do you think that demon might be in the book?

AIDEN

It might not. But it will.

GABRIEL

Every demon we vanquished lately. We knew how to vanquish it because the book told us how.

LUCAS

Like Rage? You still haven't told me how.

AIDEN

We haven't figured that out.

PAMELA

And we don't have time to explain now, Lucas.

PERSEPHONE

Yeah, leave that for later. Get us the book now, please.

Lucas nods. He looks at Prue who nods. Then Lucas ORBS out.

Prue turns to the attic's door. Persephone walks over to her sister.

PERSEPHONE (CONT'D)

Are you okay?

Prue looks at Persephone.

PRUE

Never been better.

Persephone knows that Prue is lying. The others stare at them.

FADE TO BLACK.

END OF ACT THREE

[Prue Brianna Johnna Halliwell]

ACT FOUR

OVER BLACK.

FADE IN:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

The door opens and Leo comes in. He turns on the light and lets Natalie come in. She glances around.

NATALIE

Very nice bedroom.

Leo forces a smile. He glances at the corridor and then closes the door. Natalie turns to him.

LEO

Pamela's idea.

NATALIE

Well, she has good taste.

(sighs)

But hey, I wasn't looking for you to give me a tour. I was actually going to ask you what's going on. Why are people acting like crazy?

LEO

(disguises)

Too much alcohol, maybe.

Natalie smiles.

NATALIE

That's what I thought. Maybe the punch. That's the one drink I didn't taste but saw everybody trying it. I'm not much into it.

LEO

The punch?

Natalie nods.

NATALIE

But let's not talk about that. After all ---

Natalie approaches Leo.

NATALIE (CONT'D)

--- that kiss ---

Leo swallows.

LEO

I'm sorry. I wasn't thinking.

NATALIE

I'm glad you weren't thinking.

She puts a hand on his chest. Leo looks down at her hand and then looks her in the eyes.

NATALIE (CONT'D)

The truth is that I was waiting for it for a while.

Natalie approaches her face to his. Their lips get really close to each other and soon their lips touch each other and they kiss again. Natalie wraps her arms around his neck and he puts his arms around her waist deepening the kiss.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - ATTIC - NIGHT

ON AIDEN - He is sitting in a large pouf. He leans his head back and then ---

Aiden is surrounded by a group of half-naked women. Two are fanning him with large feathers, another is massaging his feet, and another is feeding him grapes.

Aiden glances around and smiles as he sees the women there.

AIDEN

This feels nice.

WOMAN #1

We want to make you feel good.

AIDEN

Oh, I am feeling good.

The woman who is massaging his feet sits beside him and starts kissing his neck.

AIDEN (CONT'D)

Oh, that feels even better.

WOMAN #2

Do you like it, Mr. Sullivan?

Aiden smiles.

AIDEN

Yes, that's good.

Aiden closes his eyes enjoying the whole scene.

AIDEN (CONT'D)

I could do this my entire life.

Then, out of a sudden, the women who are fanning him with large feathers stop, the one kissing his neck stops as well, and so the one who feeds him with grapes. Aiden opens his eyes and looks at them.

AIDEN (CONT'D)

Please, don't stop.

WOMAN #3

You think we are objects, don't you?

AIDEN

No, never.

WOMAN #4

We are not objects, Mr. Sullivan.

Then the feathers disappear and are replaced by whips. They are about to hit him. Aiden covers his face from being hit.

SUDDENLY the women disappear. Aiden is sitting on the pouf covering his face as Prue, Persephone, Priscilla, Gabriel, William, Miranda, and Pamela look at him.

PAMELA

He's having a hallucination, isn't he?

MIRANDA

What do we do?

AIDEN

Please, no. No, please, that hurts.

PERSEPHONE

I wonder what it is about.

AIDEN

(out loud)

No, I don't think you are objects, please.

PAMELA

(grimaces)

Oh, I know.

Pamela walks towards him.

PAMELA

Aiden, wake up!

Pamela lowers down. She tries to move aside Aiden's arms from his face but he's too strong.

PAMELA (CONT'D)

A little help, guys.

Gabriel and William walk over to Aiden and move aside his arms from his face. Then Pamela stares at Aiden.

PAMELA (CONT'D)

Womanizer!

And Pamela slaps him in the face. Aiden's eyes widen. He looks at her and stands. Pamela gets up.

AIDEN

(to Pamela; mad)

Are you nuts?

Pamela smiles.

PAMELA

Sorry, I couldn't resist.

Aiden touches his face.

PAMELA (CONT'D)

That was for letting Miranda slapping me.

AIDEN

I didn't ---

MIRANDA

You didn't stop me.

PRISCILLA

Why is Lucas taking so long?

PERSEPHONE

Well, he just left, Pris.

Prue makes her way towards the exit. The others notice.

GABRIEL

Where are you going?

Prue grimaces and turns to them.

PRUE

A girl needs to pee.

Then she turns around and walks out of the attic.

PAMELA

She's going after Leo.

PERSEPHONE

(to Pamela)

Did you have to invite that detective?

PAMELA

I didn't. I'm team Prue.

PRISCILLA

Well, if my opinion counts, Natalie seems very friendly.

Pamela and Persephone shoot Priscilla a look.

PRISCILLA (CONT'D)

I'm sorry, I'm team Natalie.

WILLIAM

What if we are team Warrens?

GABRIEL

Will is right. Not time for drama now.

Lucas ORBS in. He holds the Book of Shadows.

LUCAS

Got it!

They all stare at Lucas.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

Natalie and Leo are sitting on the bed. They keep kissing. The kiss gets intense and their hands are touching each other. Natalie helps Leo to get off his jacket and he helps her to get off hers. Then ---

OFF TO THE DOOR - It opens. Prue walks in and freezes as she sees them kissing.

PRUE

Leo.

Her voice comes in a whisper but high enough for them to listen. Leo and Natalie stop kissing. Leo turns around and swallows as he sees a disappointed Prue staring seriously at her.

NATALIE

Oh, boy, you don't knock?

Leo stands and stares at Prue as Prue stares back at him.

LEO

I ---

PRUE

Bathroom. Now.

Prue walks into the private bathroom. Leo turns to Natalie and comes up with an excuse.

LEO

She's in one of those days.

Natalie shoots him a look.

LEO (CONT'D)

(smiles)

I'll be right back.

Leo walks into the private bathroom while Natalie lays down on the bed.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - PRIVATE BATHROOM - NIGHT

Prue stands in front of the mirror. Her hands holding the sink. She's not happy. Leo comes in and closes the door behind him.

LEO

You are not going to play the jealous ex, are you?

Prue looks at him.

PRUE

I'm not an ex and I'm not jealous.

LEO

Good because you closed that door the moment you allowed your Whitelighter to get under your sheets.

Prue is upset.

PRUE

Oh, you didn't just say that.

LEO

I just did.

PRUE

You said you wouldn't lecture me.

LEO

Oh, guess what, I just did. You have no right to act like that.

They stare at each other. Prue sighs.

PRUE

You're right.

Leo sighs.

PRUE (CONT'D)

I'm sorry.

LEO

C'mon, Prue ---

He tries to approach her, but she reaches out her hand to stop him.

PRUE

I just wanted to tell you to keep her busy. We can handle the demon.

LEO

But ---

PRUE

Someone has to keep her busy.

Prue is about to leave, but ---

LEO

The punch.

Prue shoots him a look.

LEO (CONT'D)

Natalie didn't drink punch. She hasn't had a hallucination.

Prue walks past him and out of the bathroom.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

The bathroom door opens and Prue comes out and into the bedroom. Natalie gets into a sitting position.

Prue stops and stares at Natalie. Leo comes into the bedroom.

PRUE

Enjoy the bed. It's brand new.

And so, Prue walks out of the bedroom slamming the door shut. Leo lowers his gaze. Natalie looks at him.

NATALIE

She seemed ---

LEO

I'm sorry.

Leo looks at her.

LEO (CONT'D)

She's just mad at the whole World.

Natalie stands.

NATALIE

I would think she's jealous.

LEO

That's impossible because there's nothing between Prue and me.

Natalie and Leo stare at each other.

NATALIE

Do you want to start over?

Leo stares at her for a few seconds before answering.

LEO

What if we pick up where we left off?

NATALIE

(smiles)

I would love that.

Leo walks towards her and pulls her closer. He kisses her passionately and she kisses him back. He lays her down on the bed and he lays down on top of her.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT

The music has stopped. People in the room seem worried. Some of them are laying down unconscious in the chairs.

OFF TO WILLIAM AND AIDEN - They come in and glance around.

WILLIAM

We need to keep them busy.

Aiden walks towards the sound equipment.

AIDEN

Hey, guys, why has the music stopped?

He turns on the music.

AIDEN (CONT'D)

Too much alcohol, huh?! No one's driving home tonight.

They all look at Aiden.

AIDEN (CONT'D)

Dance, people, dance.

Aiden and William glance at each other.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - ATTIC - NIGHT

Persephone, Priscilla, Gabriel, Pamela, and Miranda are there as well as Lucas. Persephone turns page after page in the book.

PERSEPHONE

It should appear something here.

LUCAS

Are you sure?

PERSEPHONE

I'm telling you, Lucas.

GABRIEL

Razgal, Nawja, Haytham and Rage. There was nothing in the book and when we needed the information, someone wrote it in the book.

PRISCILLA

And that's how we vanquished them.

LUCAS

That's weird. Who would write in the book?

MIRANDA

I thought it could be one of you, guys.

LUCAS

I don't think so.

OFF TO PRUE - She walks in.

PRUE

The punch.

They turn to her.

PRUE (CONT'D)

Whatever it is, it's in the punch.

GABRIEL

How do you know?

PRUE

Detective West didn't drink it and she's fine.

MIRANDA

There's nothing in the book.

PRUE

I think we should try to find the demon and vanquish it by any means. If the book doesn't want to help us, let's blow the demon's ass by ourselves.

Prue sounds hard.

PERSEPHONE

Are you okay?

PRUE

(upset)

I will be okay once you stop asking me that.

Prue turns around.

PRUE (CONT'D)

I'm gonna stop people from drinking that punch.

Prue walks out of the attic.

PRISCILLA

She's definitely not okay.

PERSEPHONE

Okay, people, let's find that demon.

Persephone and Pamela walk out of the attic.

GABRIEL

I should better go after them. She hasn't had any hallucinations.

Lucas and Priscilla watch them leave.

PRISCILLA

Lucas?

Lucas turns to Priscilla and suddenly she seems far away like she's having a hallucination herself.

LUCAS

Priscilla?

MIRANDA

Pris?

PRISCILLA'S POV - At first no one's there. Then Lucas ORBS in front of her and WAVES his hands. Then, Prue, Persephone, Gabriel, William, Miranda, Pamela, and Aiden are ORBED in beside Priscilla. Lucas ORBS out. Then Jitur SHIMMERS in.

PRISCILLA

Guys?!

PERSEPHONE

Let's throw him the potion.

PRISCILLA

Yes.

PRUE

Do it, Pris!

Priscilla looks down at her hand and she's holding the potion bottle.

GABRIEL

Now!

Priscilla throws the potion towards Jitur who gets surrounded by flames immediately. A loud scream is heard from him.

Priscilla smiles and stares at the others who smile too. Then suddenly, their expressions harden. They all look at where Jitur was and all of them step back terrified. Priscilla looks at where they're looking and ---

BEAT. Jitur stands there staring at them.

JITUR

It is not that easy to get rid of me, little Witch.

PRISCILLA

No!

Jitur creates a FIREBALL.

PRISCILLA (CONT'D)

No!

He is about to throw the FIREBALL towards her.

PRISCILLA (CONT'D)

You won't kill me.

Jitur looks at her. Priscilla keeps eye contact with him.

PRISCILLA (CONT'D)

You've tried already and you've failed.

Jitur stares seriously at her. Then, the FIREBALL fades and Jitur disappears. Lucas stands before her.

LUCAS

Pris?

Priscilla glances around. No one else is there. Just Miranda and Lucas.

PRISCILLA

I had a hallucination. I got over it.

Lucas smiles.

LUCAS

That's great.

Priscilla smiles then she turns to the Book of Shadows and walks over to him.

PRISCILLA

(looks up)

Okay, whoever it is, we need to find and vanquish this demon, so ---

(waves her hands)

--- whoever you are, we need some intel now and fast.

ON THE BOOK - Its pages start moving really fast.

Priscilla smiles. She looks at Lucas and Miranda.

PRISCILLA (CONT'D)

(to Lucas)

We told you so.

The book stops and then ---

PRISCILLA (CONT'D)

It's happening.

MIRANDA

(excited)

So exciting!

Lucas and Miranda walk over to the table where the book is and watch as some invisible hand writes something.

ON BOOK OF SHADOWS' PAGE.

IT READS:

'Kogan, the Warlock of desire, chimera, and ache. He induces his victims into their deepest desires and then makes them feel the deepest pain by taking them what they crave. Make him feel the loss of your desires to vanquish him.'

Priscilla, Miranda, and Lucas glance at one another.

PRISCILLA

How do we make him feel the loss of our desires?

Lucas stares at Priscilla.

LUCAS

Empathy.

PRISCILLA

Uh, Lucas?

(pauses)

We don't have that power. None of us.

LUCAS

Three of you were born with that power, Priscilla. You being one of them.

Priscilla and Miranda stare seriously at Lucas.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT

ON THE FOUNTAIN OF PUNCH - Not too much liquid inside. It is being spilled on the floor.

Prue has spilled the punch on the floor. People stare at her. Pamela is open-mouthed.

PAMELA

It really had to be like that?

Prue turns to Pamela.

PRUE

Better get rid of it quickly, huh?

PAMELA

Like that?

People there stare and whisper. William and Aiden stare at Prue. Persephone and Gabriel come in. They see the punch on the floor.

PERSEPHONE

What the ---

PRUE

Here's the thing, guys, you are being poisoned. The punch has some sort of drug that induces you to have visions. So let's get the hell away from it.

Prue smiles.

AIDEN

Guys, let's get into the living room while we clean this up.

WILLIAM

Come.

Aiden and William motion the guest to get into the living room. Pamela makes her way towards Prue.

PAMELA

Did you?

Prue shrugs.

PRUE

(whispers)

I still need to kick a demon's ass.

Both Prue and Pamela stare seriously at each other.

PAMELA

If you are mad at him, why are you giving him away?

PERSEPHONE

Pam, don't wake the dragon.

PAMELA

She screwed up my floor.

Prue forces a smile. Then she glances at the floor.

PRUE

(to Pamela)

Let's find that demon. Then let's get these people out of here. And then, I show you how to clean that floor.

Prue walks out of the room. Pamela turns to the others.

PAMELA

She's crazy, right?

GABRIEL

No, I think she's just jealous.

Pamela sighs.

PERSEPHONE

Guys?

They all look at Pamela.

PERSEPHONE (CONT'D)

Guys, where have you gone?

GABRIEL

Persie?

Persephone seems like she's not seeing them there.

PERSEPHONE'S POV - She can't see anybody there. The room is darker.

PERSEPHONE

Prue? Pris? Pam? Guys?

No one answers to them.

JO

Persie?

Persephone turns around and ---

BEAT. JO HALLIWELL stands in front of her. She looks in her twenties.

JO (CONT'D)

My dear, Persie.

PERSEPHONE

(confused)

Grams?

Jo smiles.

JO

I know what you've done. You finally met your destiny.

Persephone smiles.

PERSEPHONE

We got our powers back.

JO

Yes, you did, my dear.

Jo approaches her.

JO (CONT'D)

Everything I taught you ---

PERSEPHONE

We try to remember everything you said, Grams.

JO

I know.

Jo smiles sweetly. Then the room gets darker. All the lights go down.

PERSEPHONE

Grams?

The lights turn on again, but this time it's elderly Jo Halliwell standing in front of Persephone.

PERSEPHONE (CONT'D)

Grams, what happened?

ELDERLY JO

You did it all wrong.

PERSEPHONE

What?

Persephone gets serious.

ELDERLY JO

This is not the way it is supposed to be, Persie. You've failed.

PERSEPHONE

No, Grams. I and my sisters embraced it. We became the Charmed Ones.

ELDERLY JO

Oh, dear, you would never live up to the name of the previous Charmed Ones. No one can match the power we held before.

PERSEPHONE

No, Grams, we can do it.

ELDERLY JO

Never.

Persephone's eyes get wet. She breaths fast.

PERSEPHONE

I know we can.

Elderly Jo turns around and walks out of the room.

PERSEPHONE (CONT'D)

Grams!

Persephone falls on her knees and weeps. Then she covers her face.

GABRIEL (O.S.)

Persie?

PERSEPHONE

We embraced it, Grams. We've become the Charmed Ones.

The room gets back to normal. Persephone is on her knees covering her face with her hands. Gabriel kneels in front of her.

Priscilla, Miranda, and Lucas come in. They glance around. Priscilla walks over to Gabriel and Persephone.

PRISCILLA

She's having a hallucination?

Gabriel nods.

PERSEPHONE

We embraced it, Grams.

Priscilla stares at her sister.

PRISCILLA

We are the Charmed Ones, Persie. That's a hallucination. Grams is not really here. Besides, she always believed we could become the Charmed Ones. We have embraced it, Persie.

Persephone stops weeping. She uncovers her face slowly and stares at Priscilla.

PERSEPHONE

It seemed so real.

PRISCILLA

It's gone.

WILLIAM (O.S.)

Mom?

They all glance back at William.

MIRANDA

Oh, boy!

They all exchange glances.

FADE TO BLACK.

END OF ACT FOUR

[Prue Brianna Johnna Halliwell]

ACT FIVE

OVER BLACK.

FADE IN:

INT. MATTHEWS / MITCHELL MANOR - LEO'S BEDROOM - NIGHT

It is dark; we don't see clearly. Leo and Natalie make love in bed.

Natalie is atop him. THE CAMERA STAYS BEHIND. She leans down, kisses him ---

NATALIE

Music has stopped downstairs. Maybe the party is over.

LEO

I don't care.

She runs her lips down his neck as his head arches back. He gasps.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - NIGHT

Only Kogan and Glamoured Adrianne are there. She's lecturing him.

GLAMOURED ADRIANNE

They have figured it out. You better find a way to get in their heads again.

KOGAN

You don't tell me what to do.

Adrianne approaches his and CONJURES a CROSSBOW and aims at him. Kogan laughs.

KOGAN (CONT'D)

Do you think you can hurt me?

GLAMOURED ADRIANNE

I don't intend to. They will do that for me.

KOGAN

They won. For that to happen they would have to find a way to make me feel desire and pain for the lost. They won't be able to do that.

GLAMOURED ADRIANNE

They are the freaking Warrens. Where have you come from? You don't underestimate a Warren.

KOGAN

Where I come from, there are no such things as Warrens.

Suddenly, Adrianne turns around.

GLAMOURED ADRIANNE

Someone's coming.

Glamoured Adrianne BLACK ORBS out and right after she does, Prue comes in. Kogan stares at her and she stares at him.

PRUE

Where's everybody?

KOGAN

(smirks)

I believe the one you're looking for is not here, Miss.

Prue shoots him a look.

PRUE

You are him, aren't you?

Kogan smirks.

PRUE (CONT'D)

The demon.

Prue is about to use her powers on him but he WAVES his hands and Prue is unable to move.

PRUE (CONT'D)

What have you done to me?

Kogan approaches her.

KOGAN

What does it takes to break you?

Kogan walks around her.

KOGAN (CONT'D)

You desire him. You don't understand why. It's stronger than you.

He stands in front of her and stares seriously at her. Kogan senses something from her. He smirks.

KOGAN (CONT'D)

You don't know, do you?

(smile)

What ancient magic!

PRUE

What are you talking about?

KOGAN

I'm gonna use your deepest desire to break you. But instead of a hallucination. Let's make it real, shall we?

He whispers to her ears.

KOGAN (CONT'D)

Leo.

And suddenly ---

PRUE'S POV - Prue is still in the kitchen, but an image shows before her eyes. Leo's bed. Leo and Natalie making love.

Prue's eyes get wet. Kogan smirks as he stares at her.

PRUE

No.

KOGAN

Yes. Break, Prue. This is what to be broken-hearted feels. You had him and you lost him.

PRUE

No.

Prue cannot move, but she looks at him from the corner of her eyes.

PRUE (CONT'D)

I said, ---

(out loud)

--- NO!

A WAVE comes from her and THROWS Kogan across the kitchen as the images disappear. Prue can now move. Kogan hits the cabinets.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT

ON WILLIAM - He is being hugged by two people, his father Derek and his mother Amelia.

WILLIAM

I can't believe you guys are here.

No one else is in the room.

AMELIA

We've missed you.

William looks at his father and smiles.

WILLIAM

Dad!

Derek smiles. Then William looks at Amelia.

WILLIAM (CONT'D)

Mom. I can't believe you guys are here.

DEREK

We will always be here.

MIRANDA (O.S.)

Will?

Miranda stands beside William. He turns around.

WILLIAM

You cannot be here.

Miranda approaches them and hugs Derek.

MIRANDA

Dad.

William looks at Derek and Miranda.

WILLIAM

That's my father, not yours.

Miranda looks at William.

MIRANDA

I'm sorry, Will, but this is my father. Yours is dead.

William looks at Derek and suddenly Derek is not Derek, he's Damien. Same face, different persona.

WILLIAM

No. No.

Miranda approaches William and grabs his arms.

MIRANDA

You need to wake up!

William looks at her.

MIRANDA (CONT'D)

Wake up now, brother.

William winks several times and Derek / Damien and Amelia disappear. Suddenly, Persephone, Priscilla, Gabriel, Pamela, Aiden, Miranda, and Lucas stare at him.

MIRANDA (CONT'D)

Are you here?

William swallows.

WILLIAM

I am.

PRISCILLA

Good. We have a Warlock to vanquish.

GABRIEL

Do we at least know how?

PRISCILLA

Yes.

LUCAS

Aiden, Priscilla, and Prue must channel all of your feelings. All those feelings you had when you experienced when you felt you had lost your deepest desires.

AIDEN

How do we do that and why us?

LUCAS

Because the three of you are part Cupids. Empathy is within you.

AIDEN

I don't know if I can do it.

PRISCILLA

We have to.

LUCAS

Where's Prue?

SOUND - Something breaking. The sound comes from the kitchen.

PERSEPHONE

It comes from the kitchen.

PAMELA

That freaking woman is going to destroy my house.

AIDEN

Our.

They all rush out of the room.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - NIGHT

ON KOGAN - He stands and stares at Prue.

KOGAN

How did you do that?

PRUE

You clearly don't know who I am.

KOGAN

A broken witch.

PRUE

Yeah, I am. I'm a mess and yes I am jealous. But I'm also one of the most powerful beings that have ever walked on Earth.

Aiden and Priscilla come in.

PRISCILLA

Prue?

Prue turns to them.

PRISCILLA (CONT'D)

We need to channel our pain using our cupid side.

Prue turns to Kogan.

PRUE

My pleasure.

Persephone, Gabriel, William, Pamela, Miranda, and Lucas come in. Kogan stares at them. Prue, Priscilla, and Aiden stare seriously at Kogan.

KOGAN

You cannot bet me.

Aiden approaches Prue and holds her left hand. Priscilla approaches Prue as well and holds her right hand.

PRISCILLA

We shall see.

Suddenly, from the eight of them comes some sort of blue smoke. Their pain comes from them. Kogan stares at it surprised. He can't believe his eyes. The smoke rushes immediately into Kogan. He looks at them.

KOGAN

It's impossible.

And then, Kogan BLOWS up. They cover their faces.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - NIGHT

The bricks that were covering the doors and windows of the house disappear.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - KITCHEN - NIGHT

They look at the place where Kogan just was.

AIDEN

It is done.

Pamela glances around.

PAMELA

The kitchen is a mess.

PERSEPHONE

Get over it, Pam.

William walks over to where Kogan was and looks at the floor. Then he turns to them.

WILLIAM

Yeah, the symbol.

Lucas walks over to William and sees the symbol on the floor.

ON THE FLOOR - The symbol is on the floor.

LUCAS

I should tell them about this.

Lucas looks at the others.

LUCAS (CONT'D)

(to Prue)

I know you said you don't want to work with them, but ---

PRUE

Do it.

Everybody is surprised at Prue.

PRUE (CONT'D)

I'm not gonna work with them, but we really need to stop these demons from showing up every week.

Lucas nods. Then, he ORBS out. Prue turns to Pamela.

PRUE (CONT'D)

Let's get everybody out of here so we can clean this mess.

PAMELA

You want me to clean?

PRUE

I said I would teach you how.

PAMELA

I'm curious.

PRUE

Good.

William opens the door to the basement. He glances inside.

WILLIAM

Guys?

They all look at him.

WILLIAM (CONT'D)

The staff is here.

Prue walks out of the kitchen. William, Gabriel, Aiden, and Persephone walk inside the basement. The others leave after Prue.

FADE TO:

EXT. SAN FRANCISCO - NIGHT

MUSIC PLAYING - 'Believe' by Cher.

AERIAL FOOTAGE all over the town.

FADE TO:

INT. TRACE THORNTON'S APARTMENT - BEDROOM - NIGHT

MUSIC FADES.

Trace stares at his own reflection on the mirror. Adrianne stands behind him.

ADRIANNE

He failed. It wasn't a demon. It was a Warlock and failed.

Trace turns around and looks at her.

ADRIANNE (CONT'D)

Who was it and where did he come from?

TRACE

I don't know. Alastair just told me where to find him.

ADRIANNE

How did he know?

TRACE

The same way he knew where to find Rage.

ADRIANNE

Those witches are getting stronger every day, Trace. Are you sure you want to keep fighting them?

TRACE

I need to.

ADRIANNE

Why?

TRACE

Because that's the only way I have to find Elizabeth.

ADRIANNE

Who the hell is Elizabeth?

ON TRACE - He is serious.

TRACE

Someone from my past.

Adrianne stares at Trace as he lowers his gaze.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - NIGHT

People are seeing leaving the house.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - SUN ROOM - NIGHT

Prue, Pamela, Priscilla, Gabriel, and Miranda are there. Aiden, Persephone, and William come in.

AIDEN

Everybody is gone.

PERSEPHONE

The staff was freaking out.

PAMELA

What did you tell them?

PERSEPHONE

That the guy was crazy and put some drugs into the punch.

AIDEN

At least he didn't use magic to trap them in the basement.

PRISCILLA

At least that.

GABRIEL

And those who lost consciousness after the hallucinations recovered their conscience and are fine.

WILLIAM

Warrens 1 - Warlock 0.

Miranda shoots William a look. Pamela turns to Prue.

PAMELA

(to Prue)

Okay, smart ass, how do we clean this?

Prue smiles.

PRUE

This was all because of magic, right?

PAMELA

Your point?

PRUE

Well, magic will fix it.

PERSEPHONE

Uh, Prue?

Prue looks at Persephone.

PERSEPHONE (CONT'D)

Do you remember Grams telling us about personal gain?

PRUE

Magic was involved, sis.

PRISCILLA

She has a point.

MIRANDA

Show us.

PRUE

(chants)

'Let the Object

of Objection

Become but

a Dream

As I cause

the Seen

to be Unseen'

Sparkles appear all over the room. The punch on the floor disappears.

Pamela smiles as she glances around.

PAMELA

Now, that's what I call magic.

GABRIEL

Good. I'm tired.

(to Pamela)

Next time you host a party, make sure you don't hire a demon to prepare drinks.

The others laugh.

MIRANDA

Has anyone seen Leo? He doesn't know what happened.

PRUE

I think Leo is entertained.

Persephone glances at Prue.

PERSEPHONE

Are you ---

Persephone cuts herself off as Prue shoots her a look.

PERSEPHONE (CONT'D)

We should go to bed. We clean tomorrow.

PAMELA

Oh, I'm not hiring anyone to clean this. Not even the catering company.

AIDEN

Good. We don't need it.

Aiden puts an arm over Pamela's shoulders.

AIDEN (CONT'D)

Let's go to bed.

PAMELA

I'm not going to bed with you.

AIDEN

I'm giving you a ride. Your bedroom is right beside mine.

Both Pamela and Aiden walk out of the room.

WILLIAM

We should go too.

The others nod.

GABRIEL

I don't think I'll be able to sleep.

MIRANDA

Well, it's just four in the morning. Maybe we shouldn't.

Gabriel and Miranda walk out of the room followed by Priscilla and William. Persephone looks at Prue.

PERSEPHONE

Are you coming?

PRUE

I need to find my purse. I'll be right there.

Persephone nods and walks out. Prue goes to the switch and turns off the light. She walks into the living room.

FADE TO:

EXT. MATTHEWS / MITCHELL MANOR - NIGHT (LATER)

VIEW AT THE VICTORIAN HOUSE - All lights are off.

Leo and Natalie stand outside the manor. They kiss.

NATALIE

I'm sorry. I really need to go. They found another body.

LEO

Don't need to apologize.

NATALIE

Yeah, but I don't really want to leave.

Leo smiles. Then, they stare at each other.

NATALIE (CONT'D)

I really like you, Leo Matthews.

Leo kisses her softly.

LEO

I might like you too, Detective West.

Natalie smiles. A taxi pulls over. They look at it.

NATALIE

That's my ride.

LEO

I call you tomorrow.

Natalie nods. Leo opens the taxi's door and she enters. Then the taxi is driven away. Leo sighs. He turns around and walks up the front stairs.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - FOYER - NIGHT

Leo comes in and walks towards the staircase but before going upstairs he stops. He feels something. Leo turns around and walks into the living room.

FADE TO:

INT. MATTHEWS / MITCHELL MANOR - LIVING ROOM - NIGHT

Leo comes in and glances around. We can barely see anything. He approaches a lamp and turns it on.

BEAT. Prue stands there by the sound equipment. She looks at him.

LEO

Prue?

Prue smiles shyly.

LEO (CONT'D)

What are you doing here?

PRUE

I owe you a dance, remember?

LEO

You said you'd think about it.

PRUE

Yeah, which in Prue's language means yes.

Leo swallows. Prue turns to the sound equipment and presses play.

MUSIC PLAYS IN THE B.G. - 'Truly Madly Deeply' by Savage Garden.

Prue turns to Leo as he walks towards her. He puts his hands on her hips. They look each other in the eyes.

PRUE (CONT'D)

I swear I didn't know that song was next in line in the playlist.

Leo pulls her close and wraps his arms around her waist. She wraps her arms around his neck.

LEO

The demon?

PRUE

Gone.

LEO

Good.

Leo leans his forehead in hers. Prue closes her eyes. They dance slowly.

LEO (CONT'D)

That dress.

PRUE

Do you remember?

Leo nods. Their voices come low and sweetly.

LEO

I remember ripping it out of your body.

PRUE

I remember that too.

LEO

I took mind photographs of you that night.

He pulls her closer.

PRUE

I must confess that I was truly, madly, deeply jealous.

Leo sighs.

LEO

Only God knows how bad I want to punch Lucas for touching you.

They are silent for a few seconds.

PRUE

Why?

(pauses)

Why didn't you tell me about our parents five years ago?

LEO

When I met you five years ago you were so vulnerable and I promised myself that I wouldn't let you get hurt.

(pauses)

A couple of days later I found out who you really were. I couldn't tell you cause I would be breaking the promise I made to myself.

They look into each other's eyes.

PRUE

Why is it so hard for me to be away from you?

LEO

I wish I knew the answer. I can't bear the idea of losing you.

PRUE

But we can't, Leo. We can't. I'd be seeing them.

LEO

I know.

He leans his forehead against hers again.

LEO (CONT'D)

But it hurts so badly.

PRUE

It does.

They both keep dancing slowly as the music keeps playing in the B.G. and THE CAMERA MOVES AWAY ---

FADES TO BLACK.

END OF THE EPISODE